Drawing upon at least two stories from ‘The Bloody Chamber’ explore the ways in which Carter might be considered to re-interpret gothic conventions.
Angela Carters describes her stories as being ‘gothic mode but with narratives suggested by traditional western European fairy tales.’ By mixing these two very different genres Angela manages to twist the typical gothic elements, which readers are used to, and instead make up her own structure of gothic elements.
The main gothic element which Angela uses is exotic scenes. As many of her stories are based on fairy tales the twist of adding in exotic sex scenes can make the readers feel very uncomfortable and creates the gothic atmosphere which Angela is after. This is best shown within the story ‘The Snow Child’ which is based upon the fairy tale Snow white. It is only a page long but includes a vicious murder then rape which shocks the readers. ‘Weeping, the Count got off his horse, unfastened his breeches and thrust his virile member into the dead girl.’ After showing so much love for the girl this incident comes out of nowhere and shocks the audience. During the tale the Count is very protective and acts like a father figure towards her making this seem even more perverse, like an account of incest. Just within this short sentence Angela manages to take the audience on the emotional rollercoaster that they would expect from a normal gothic story. She creates heroes and villains and also the gothic atmosphere of surprise and horror. She has therefore changed this element to make the response one of a usual gothic element reaction.
An act which Angela appears to use in many of her short stories to add a gothic effect is by adding in a scene of closeness by characters licking one another. This appears in three of her stories ‘The Tiger’s Bride’, ‘The lady of the house of love’ and ‘Wolf-Alice.’ It is not the licking itself but what it leads to which makes it give off the gothic reaction. For example, in ‘The Tiger’s Bride’, which is based upon the fairy tale beauty and the beast, the transformation from human to tiger is done by licking off her skin. ‘Until I felt the harsh velvet of his head against my hand, then a tongue, abrasive as sandpaper he will lick the skin off me!’ This turns the simple action in to one of Angela’s re-interpreted gothic elements. The way that the action is described also adds a gothic twist as she describes his tongue to be like ‘sandpaper’ which is an indication to the audience that this may be hurting her as sandpaper is very rough against the skin. This action reoccurs within the other two texts when it again symbolises the transformation of characters.
Angela regularly adds in humoristic characters in her stories to add in another side to them. This probably being her main achievement as she manages to make humour moments have a twist of gothic within them. For example, in ‘Puss’in’Boots’ the cat is regularly making sarcastic comments which lighten up the mood. However, what he is joking about is not always funny and is what makes this feature appear gothic. For example, he jokes about the death of the man who was originally married to the women his master loves.
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its doesn't make much sense soz :D lol xoxox
ReplyDeletep.s. it is supposed to be erotic not whatever i put lol
good use of ao2 when discussing the act of 'licking' and the relevance of the metaphor of 'sandpaper'.
ReplyDeletei like your point about how the inclusion of erotic sex scenes are not what the reader expects of a gothic text and therefore shock us, I think this is one of the main things that sets Carter's narrative apart from traditional gothic texts.
nice essay :) x
I like your comment of how maybe Angela Carter could be touching on incest as i have never actually thought of him being a father figure to the girl.
ReplyDeleteI like the comment you mentioned about the transformation but i dont agree with you that the transformations are painful and not in one of the stories does she mention it hurting.
Well done though :) x